Newsletter | Mar/Apr 2021
Volume 49:2
In this issue: | Editor's Note: - Mui Ho Our New Steering Committee Member - Suzan Swarbacker White Columns and Elongated Dome - Bobbie Sue Hood Life during lockdown - Marda Quon Stothers Remembering Carolina Woo - Mui Ho |
Editor's Note:by Mui Ho | Share #1459The rewarding part of being the editor of our newsletter is that I get to talk to our members and reacquainte with them. Through our informal conversations and emails, we managed to get into subjects beyond just the article they are preparing. Often their opinions and thoughts on issues related to or beyond the article tumble out and are very illuminating. These communications allow me to share thoughts on architecture as well as politics that we seldom have had a chance to do before. I wonder why? Is it because of conventions that stress polite social conversation and exclude serious subjects, or are we just not in the habit of talking about architecture with our colleagues. |
Our New Steering Committee Memberby Suzan Swarbacker | Share #1470 |
White Columns and Elongated Domeby Bobbie Sue Hood | Share #1462Olmsted redesigned the "back side" of the Capitol to make it grand and handsome - and to connect it to the White House and other government buildings. His work is what made it possible to conceal the underground tram or railway which runs from the Capitol to the Old Navy Building and other office buildings for the House and Senate. It is a very interesting example of where an architectural/landscape goal contributed directly to planning and architecture decisions which modernized (by making invisible, underground) connections between the Capitol and it's "server" buildings. My whole goal was to talk about how buildings become iconic - what separates ordinary buildings or indigenous buildings from designed architecture. I just thought it very interesting that the insurgency followed Frederick Law Olmsted's directions! He made the building truly in the round - with no backside! I could find no explanation for the weird columniation of the East facade with two pairs of double columns on the outside of the main portico and two single columns sort of like a doorway in the center. Anyhow, I thought all of those subtleties were intriguing and fascianting. You can play a lot with columns and masses! I think few if any modern American architects including our heroes and heroines are very good at monumentality - something that the Italians and French and Chinese are very good at, for example. We temp to be too democratic to do good monumental buildings. The amazing thing about the Capitol is that it is American and monumental - a very successful piece of architecture in my view. And many, many different people worked on it. |
Life during lockdownby Marda Quon Stothers | Share #1461February 2020 I was in ceramics classes Mondays and Tuesdays, attending an inspiring Catholic women’s group meeting and cooking for ten folks every Wednesday and trying to walk with Mui weekly. I took four trips over three weeks that month. I took a day trip to LA to meet a Spiritual Journey Group of six women commiting to journey together for a year. I returned to LA for a 5 day trip to run around and see old friends. I spent a few days in Memphis after a beloved friend died and a few days in Sacramento to discuss and consider co-housing. That was the life I loved; to travel a lot and interact with as many people as possible. In March I caught a cold which developed into bronchitis so I literally sheltered-in-place hoping it wasn’t COVID-19 for five weeks rather than my dying in 5 days. My April trip to Australia and New Zealand was cancelled including Qantas’ route so we got our money back. Ceramics was cancelled. Wednesday meeting and dinner were cancelled. No plans back to Northern Ireland for the summer farm sitting, barn building and international conference on women’s equality. Everything is postponed. At first I was waiting but now I acknowledge my life has changed. My work of community building, advocacy and art was retooled. My church went to Zoom. I started baking cookies and making a “You Matter” bag for each household. With a team assembled and delivered a bag every week to 135 people. I got involved in racial reckoning with a discussion group and some writing. The summer dragged by day, day, day, until I found a walking partner. We meet up at 8 a.m. and walk 3 miles nearly every day. My blood pressure went back down. My tenants and I visited Yosemite in July and browsed my grandfather’s birthplace in Coulterville. I left town with Suzan Swabacker for Westport during the fires AQI-5. Fort Bragg and Mendocino are still great towns. We talked development and refinance with my contractor friend. Then for election mania I wrote letters to Texas and postcards to Iowa. I rejoiced. Such a different year! Those with regular work got very busy coping with new protocols. Since I have work that is stimulated by travel and others I floundered for several months. I still made lists. I worried. I rested. I changed. I have found a new rhythm. Call, email or text as I’d love to connect. You all mean a lot to me. |
Obituary Carolina WooShare #1465Memorial from SOM web site :
Carolina Woo was born in Shanghai, China, in March 1940. After graduating with a Bachelor of Architecture degree from the Rhode Island School of Design and a Master of Business Policy from Columbia University, Woo began her career with SOM in 1969 in New York. A dedicated and passionate project manager, Woo rose through the firm and in 1984 was promoted to partner. She went on to work on projects that would take her to SOM’s offices in London, and later San Francisco, which served as her base while she worked to build the firm’s emerging presence in China. In 1988, she was elevated to the American Institute of Architects College of Fellows for her notable contributions to the architectural profession. While at SOM, Woo worked on projects all over the world, including many of the firm’s most influential projects of the period: the Lyndon Baines Johnson Presidential Library & Museum in Austin, Texas, 9 West 57th Street in New York City, the Hirshhorn Museum and Sculpture Garden at the Smithsonian Institution in Washington, D.C., the Hajj Terminal at King Abdul Aziz International Airport Terminal, in Jeddah, Saudi Arabia, master plans for the Shanghai Waterfront in China and Saigon South in Vietnam, and later, the San Francisco Civic Center Complex and the International Terminal at San Francisco International Airport. Woo was an active contributor to the communities she called home, having served on the board of the San Francisco Museum of Modern Art, as a Trustee for her alma mater, the Rhode Island School of Design, as an advisor of the Capital Planning Commission for the City of Beijing, and as a member of the American Institute of Architects, the Royal Institute of British Architects and the Urban Land Institute. Woo was a passionate advocate for the environment and for sustainable design, and her efforts made a palpable impact in moving the industry forward. We extend our condolences and deepest sympathies to her family. |
Remembering Carolina Wooby Mui Ho | Share #1466It is sad to learn that one's friend and colleague has passed away. It congers up many memories of the old days. Carolina and I were in grade school together when her family moved from Shanghai to Hong Kong in 1949. She had to learn a new language, Cantonese. Later, when we met again in US, she spoke several Chinese dialects fluently making her invaluable in doing business with China. She was responsible in securing all the large projects in China for SOM since the early 1980's. It can't have been easy to be the first woman partner in the most prestigious architectural firm of the era. She emphasized that her good fortune was in having very good mentors in SOM. One of the partners took her on as a protege when she joined the firm after school at the Rhode Island School of Design. She worked with SOM until she retired in 2011. |
Selected projects by Carolina WooShare #1467 |
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